Visitez Luang Prabang, et le reste du Laos

Exhibition at TAEC

Benolaos — 2018-10-31T12:27:27Z

TAEC's newest special exhibition, “Voices of the Wind: Traditional Instruments in Laos” is now on display after more than two years of extensive research and documentation in remote regions of northern Laos led by Belgian ethnomusicologist and curator, Dr. Marie-Pierre Lissoir, and the TAEC research team.

A highly interactive and intimate exhibit, display spaces communicate three important contexts of instrumental practices: ritual, instrument-making, and courting. Through village scene re-creation, audio stations, and interactive video and photograph kiosks, visitors will enter a world rarely seen by the general public.

In Laos, music and musical instruments are a part of everyday life. For entertainment, courtship, or rituals, to banish loneliness, teach children, or communicate with the spirits, musical practices touch every member of a community during every part of the year. There is now a struggle and urgency to document these instruments from construction to playing as modernity takes over and replaces intimate settings and songs with amplifiers, microphones, and pre-recorded music. Music is the voice of a community, the voice of a country. A voice that is constantly evolving, like every human activity.

This exhibit also coincides with the recent UNESCO inscription of the music of the mouth organ or “khaen” on the Representative List of the Intangible Cultural Heritage of Humanity. This is the very first inscription for the country on the ICH list and a positive step forward for safeguarding the transmission of knowledge, skills, and meaning of this emblematic instrument for future generations.

TAEC would like to acknowledge the U.S. Ambassadors Fund for Cultural Preservation for making this critical research possible, and William Klausner for supporting the creation of the exhibition.

“Voices of the Wind: Traditional Instruments in Laos” will be on display until the Fall 2020.

From the Curator: “Music can be explored in so many ways. There is the role of music in traditional ceremonies and celebrations, but also the crafting of instruments, playing techniques, and the decline of apprenticeship. Laos is particularly fascinating because many instruments are used to communicate, whether to pass a message through the mountains with the powerful sound of a leaf, or to express ones love with the discreet sound of the jaw harp. Speaking about music is speaking about life in Laos, its changes and challenges.”– Dr. Marie-Pierre Lissoir

Hmong instrument maker and musician: “There are so many people making qeej, but if I am the one who is able to help document the process of making it from the beginning to the end, then I hope my knowledge is able to inspire people not to let go of their culture and traditions, not to let go of your ancestors and family spirits. I want to leave this message behind for the future generation.”– Mr. Neng Chue Vang

TAEC's objectives of this exhibition:

Demonstrate the diversity and similarities in musical practices among minority groups in Laos.
Expose unexpected sounds and instruments to visitors in an innovative experiential space. The scenography of the exhibit and its use of different mediums will allow a deeper understanding of music and its techniques.
Stimulate local and foreign visitor interest in Laos' musical traditions and its importance to society through special events and outreach at the Centre.
Highlight, document and safeguard endangered practices and instruments.

Discover the people of Laos at the Traditional Arts & Ethnology Centre. TAEC is the only museum and learning centre in Laos dedicated to cultural diversity. The Centre is engaged in a broad range of museum and community engagement activities, reflecting its commitment to supporting living ethnic minority communities to preserve and promote their cultural heritage while looking towards the future.

Located in Ban Khamyong, Luang Prabang, Lao PDR, the museum and shop is open 9am until 6pm, closed Mondays. Admission is 25,000 Lao kip for adults, free for children under 12 and Lao citizens. The TAEC Boutique on the main road in Ban Vat Sene sells fair trade crafts made by ethnic groups. It is open from 9am – 9pm every day.

Contact:
Kristy Best, Director Sales & Marketing
kristy taeclaos.org
www.taeclaos.org
Mobile +856 20 5544 7895

View online : http://www.taeclaos.org

UXO Luang Prabang Center

Benolaos — 2012-12-23T13:49:04Z

The UXO Laos Visitor Center is located behind the Chao Anouvong Monument. This free admittance center features information about unexploded ordnance, for what Lao PDR is the most heavily bombed country, per capita, in history. Numbers talk:

Approximately 25% of villages in Laos are contaminated with Unexploded Ordnance (UXO)
More than 580,000 bombing missions were conducted over Laos
Over 2 million tons of ordnance were dropped on Laos between 1964 and 1973
Cluster sub-munitions or ‘Bombies' (as they are known locally) are the most common form of UXO remaining
More than 270 million bombies were dropped onto Laos
Up to 30% failed to detonate
Approximately 80 million unexploded bombies remained in Laos after the war
All 17 provinces of Laos suffer from UXO contamination
41 out of the 46 poorest districts in Laos have UXO contamination
Over 50,000 people have been killed or injured as a result of UXO accidents in the period 1964-2008
Over 20,000 people have been killed or injured as a result of UXO accidents postâ€ war period, 1974-2008
UXO Lao works in the nine most heavily UXO contaminated provinces in the country.
UXO Lao needs on an average, US$6.5 million, for operations. It employs over 1,000 people.

Wat Phon Phao

Benolaos — 2012-06-19T00:48:09Z

About 2 miles from Luang Prabang, upstream from the Nam Khan river, you can find the Wat Phon Phau on top of a small hill which is looked after by female monks. Male bonzes are dressed in a yellow robe (sometimes orange or light brown) as Buddha recommended, when he said that they should wear 3 odd pieces of clothing. The women wear a sort of white kimono.

The Buddhist religion differentiates the conditions of men and women. Man is supposedly the last stage of reincarnation, the only real one on the road to Nirvana, in other words the end of the cycle.

Boys are obliged to retire to a monastery for a period of at least 3 months during their youth, a retirement (bouat) of a few days (normally a maximum of 3 weeks) … for women, this is unthinkable, they must learn everything by their own means if they're really interested.

Some monasteries accept women, but mainly only older women, who find in these religious enclosures, a spiritual refuge. At Phon Phao, several women came to escape the turmoil of Luang Prabang and work on everyday chores, including gardening.

The singularity of this temple, starts with its octagonal architecture. Built in the 1950's, this temple is also exceptional by its interior decoration :

paintings representing traditional Buddhist scenes, are stunning,
the second floor with its paintings illustrating the different Buddhist architectures of the countries of S.E. Asia is very interesting
the last floor, all in gold (like the reception hall of the old royal palace) marks the ultimate preciousness of the high level.

My advice : to be seen and to be followed from ban Phanom, the historical weaving village. Some beautiful showpieces, mostly made from a mixture of cotton and yarns of silk.